This is probably the reason why I experience these colors as more alive once painted, as if they had an inner movement with vivid particles. I like the natural pigment color sticks the most because you have to prepare the color yourself and concentrate on the pigment itself, while grinding it fresh before every painting session. For smaller quantities of color you can rub the stick directly on the white mixing plate. Use a different ink stone for each color and make sure you use rather inexpensive ink stones, as these pigments, some of them minerals, are abrasive. Like the sumi ink sticks, you have to grind them on an ink stone. They are small sticks of pure pigment bound with little glue. Indigo, Rouge, Brown umber, Rattan yellow Color sticks of genuine vegetable and mineral pigments are in my opinion the best for Chinese or Japanese watercolor painting, but they are difficult to find and expensive. Pay attention to the different range of colors of Chinese and Japanese watercolor sets depending on your personal taste you might prefer one above the other. They come in sets of 12 or 24 colors or as single color pans. Adding more or less color allows you to make a great variety of tones. You can use them in the same way as Western watercolor cakes pick up some color from the color pan with a wet brush and mix it with a few drops of water on a white saucier. With the color cakes we enter the world of light.Ĭolor cakes are small pans with color pigments. The premium Marie’s Chinese watercolors have a finer consistency and spread with more transparency. You could try the high grade Marie’s Chinese watercolors, which come in sets of 12 or 18 Chinese watercolors, in 9 ml tubes. Later on, if you continue with Chinese watercolor painting you should change to more expensive Chinese/Japanese watercolors of higher quality. If you want to experiment with Chinese watercolors and spend little money, these watercolors are a fair deal. They are inexpensive, easy to use, but not that luminous. I recommend them for beginners and exercises. Marie’s Chinese watercolors come in student grade, in 12 ml tubes, in sets of 12, 18, 24 or 36 Chinese watercolors. I will now discuss some of the Chinese and Japanese watercolors I use myself. Nowadays you can buy some of them in Western or Oriental art supply stores. However, there is no need to make your watercolors yourself. Actually, it is still done the same way today, and if you want to know more about the Chinese alchemy of traditional pigments I recommend reading this chapter of the book. The classic Chinese painting manual the Mustard Seed Garden explains the elaborate processes of how to manufacture traditional Chinese watercolors. The quality of the pigment is also affected by the glue used, its origin and color. The purer the pigments, the more subtle their tones and brilliance will be. The main feature of genuine Chinese watercolor painting is its luminosity and transparency and that’s what vegetable and mineral pigments are all about. They are used in the same way as the Western watercolors by adding some water and after painting they fix perfectly on the rice paper. Joy And Beauty Of Pink Roses Traditional Chinese watercolors are mineral and vegetable pigments, premixed with some kind of binder, mostly animal glue.
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